{"product_id":"pleasure-joyous-jazz-dispensary-top-shelf-series-pressing","title":"Pleasure - Joyous (Jazz Dispensary Top Shelf Series Pressing)","description":"\u003cdiv class=\"x-text x-content e6470-e15 m4zq-9 m4zq-a m4zq-c m4zq-g m4zq-h\"\u003eTracklist:\u003c\/div\u003e\n\u003cdiv class=\"x-text x-content e6470-e16 m4zq-c m4zq-d m4zq-e m4zq-i\"\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJoyous\u003cbr\u003eLet Me Be The One\u003cbr\u003eOnly You\u003cbr\u003eCan’t Turn You Loose\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eSIDE B\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eSassafras Girl\u003cbr\u003eTune In\u003cbr\u003eDance To The Music\u003cbr\u003eSelim\u003c\/p\u003e\n\u003cp\u003eAfter spending months on the road, opening for the era’s hottest R\u0026amp;B acts (including Earth, Wind \u0026amp; Fire, Tower of Power, War, Natalie Cole, Bill Withers and B.B. King), the members of Pleasure were primed to deliver their most confident album yet.\u003cem\u003e \u003c\/em\u003eThe result was \u003cem\u003eJoyous\u003c\/em\u003e, which offered a perfect, genre-bending example of their self-declared \u003cstrong\u003e“360 degrees of music\u003c\/strong\u003e.\u003cstrong\u003e” \u003c\/strong\u003eMarking the band’s final album with its original line-up, \u003cem\u003eJoyous \u003c\/em\u003eallowed each member of the group to shine—particularly when it came to songwriting. Among the highlights is the McClain-penned party anthem \u003cstrong\u003e“Dance to the Music\u003c\/strong\u003e,\u003cstrong\u003e” \u003c\/strong\u003eBrewster’s pop-forward \u003cstrong\u003e“Let Me Be the One” \u003c\/strong\u003eand Michael Hepburn’s enduring hit \u003cstrong\u003e“Joyous\u003c\/strong\u003e.\u003cstrong\u003e” \u003c\/strong\u003eThe title track, which opens the album, offers a six-and-a-half-minute-long funk-fueled jam that feels right at home on a disco floor. The song became the group’s\u003cstrong\u003e first Top 40 hit on the R\u0026amp;B charts\u003c\/strong\u003e, helping to propel \u003cem\u003eJoyous\u003c\/em\u003e to \u003cstrong\u003eNo.34 on \u003cem\u003eBillboard\u003c\/em\u003e’s Top Soul Albums chart and No.113 on the overall album chart\u003c\/strong\u003e (Pleasure’s highest position at that point in their career). The album also featured a handful of chilled-out delights, including Donald Hepburn’s sultry \u003cstrong\u003e“Sassafras Girl” \u003c\/strong\u003eand Nathaniel Phillips’ smooth-as-silk ballad \u003cstrong\u003e“Tune In\u003c\/strong\u003e.\u003cstrong\u003e” \u003c\/strong\u003eDan Brewster’s \u003cstrong\u003e“Only You\u003c\/strong\u003e,\u003cstrong\u003e”\u003c\/strong\u003e meanwhile, delivers a soulful, socially conscious message.\u003c\/p\u003e\n\u003cp\u003eSince its release, \u003cem\u003eJoyous \u003c\/em\u003ehas only grown in its popularity and has become a sought-after favorite of DJs. Reflecting on the album, \u003cstrong\u003e\u003cem\u003eAllMusic\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003ecalled it \u003cstrong\u003e“\u003c\/strong\u003e\u003cstrong\u003ea classic that underscores Pleasure’s risk-taking nature\u003c\/strong\u003e.\u003cstrong\u003e” \u003c\/strong\u003eThe UK-based \u003cstrong\u003e\u003cem\u003eSoul and Jazz and Funk\u003c\/em\u003e\u003c\/strong\u003e hailed it as\u003cstrong\u003e “a must-own [LP] for jazz-funk enthusiasts\u003c\/strong\u003e,\u003cstrong\u003e”\u003c\/strong\u003e while \u003cstrong\u003e\u003cem\u003eSoulstrut\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003epraised \u003cem\u003eJoyous \u003c\/em\u003eas \u003cstrong\u003e“the apex of [Pleasure’s] sophisticated, matured sound\u003c\/strong\u003e.\u003cstrong\u003e” \u003c\/strong\u003eOver the decades, several of the songs on \u003cem\u003eJoyous\u003c\/em\u003e have found new lives through samples—particularly the title track, which has appeared in releases by \u003cstrong\u003eJanet Jackson\u003c\/strong\u003e,\u003cstrong\u003e LL Cool J\u003c\/strong\u003e,\u003cstrong\u003e Eric B. \u0026amp; Rakim\u003c\/strong\u003e,\u003cstrong\u003e Sugarhill Gang\u003c\/strong\u003e and \u003cstrong\u003eDaft Punk\u003c\/strong\u003e, among many others. “Let Me Be the One,” meanwhile, was also sampled in tracks by the likes of \u003cstrong\u003ePublic Enemy \u003c\/strong\u003eand\u003cstrong\u003e Ultramagnetic MCs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alliance","offers":[{"title":"Default Title","offer_id":49738065969379,"sku":null,"price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/Pleasure_Joyous_DigitalCover.jpg?v=1789459340","url":"https:\/\/urbanrecords.com.au\/products\/pleasure-joyous-jazz-dispensary-top-shelf-series-pressing","provider":"Urbanrecords","version":"1.0","type":"link"}