{"title":"Audiophile Recordings","description":"\u003cp data-start=\"105\" data-end=\"161\" class=\"\"\u003e\u003cstrong data-start=\"105\" data-end=\"161\"\u003eAudiophile Vinyl – Premium Sound, Unmatched Fidelity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"163\" data-end=\"622\" class=\"\"\u003eImmerse yourself in the rich, analog warmth of \u003cstrong data-start=\"210\" data-end=\"236\"\u003eaudiophile-grade vinyl\u003c\/strong\u003e—the gold standard for music lovers who demand exceptional sound quality. Pressed on heavyweight 180g or 200g virgin vinyl, these records are meticulously mastered to deliver superior clarity, depth, and dynamic range. Each title is sourced from high-resolution audio or original analog master tapes, offering a listening experience that captures every nuance of the original recording.\u003c\/p\u003e\n\u003cp data-start=\"624\" data-end=\"705\" class=\"\"\u003ePerfect for discerning listeners and collectors alike, audiophile vinyl features:\u003c\/p\u003e\n\u003cul data-start=\"706\" data-end=\"981\"\u003e\n\u003cli data-start=\"706\" data-end=\"786\" class=\"\"\u003e\n\u003cp data-start=\"708\" data-end=\"786\" class=\"\"\u003e\u003cstrong data-start=\"708\" data-end=\"735\"\u003eHigh-fidelity mastering\u003c\/strong\u003e from original analog or high-res digital sources\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"787\" data-end=\"841\" class=\"\"\u003e\n\u003cp data-start=\"789\" data-end=\"841\" class=\"\"\u003e\u003cstrong data-start=\"789\" data-end=\"813\"\u003eUltra-quiet pressing\u003c\/strong\u003e for minimal surface noise\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"842\" data-end=\"927\" class=\"\"\u003e\n\u003cp data-start=\"844\" data-end=\"927\" class=\"\"\u003e\u003cstrong data-start=\"844\" data-end=\"865\"\u003ePremium packaging\u003c\/strong\u003e, often including gatefold sleeves, inserts, and liner notes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"928\" data-end=\"981\" class=\"\"\u003e\n\u003cp data-start=\"930\" data-end=\"981\" class=\"\"\u003e\u003cstrong data-start=\"930\" data-end=\"954\"\u003eLimited-edition runs\u003c\/strong\u003e for rarity and exclusivity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"983\" data-end=\"1154\" class=\"\"\u003eWhether you're building your collection or seeking the definitive version of a favorite album, audiophile vinyl brings you closer to the music—just as the artist intended.\u003c\/p\u003e","products":[{"product_id":"alice-coltrane-journey-in-satchidananda","title":"Alice Coltrane - Journey In Satchidananda","description":"\u003cp\u003eAcoustic Sound Series \u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":34610118951076,"sku":"","price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/Unknown-142.jpg?v=1592315586"},{"product_id":"stanley-turrentine-comin-your-way","title":"Stanley Turrentine - Comin Your Way (Tone Poet Pressing)","description":"","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":40768872939684,"sku":"","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/41dKT7IUZ1L._SY350.jpg?v=1629709799"},{"product_id":"hank-mobley-hank","title":"Hank Mobley - Hank (Blue Note Tone Poet Reissue)","description":"","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43359474647267,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/R-4006270-1352070503-3344.jpg?v=1663664710"},{"product_id":"bob-dylan-blonde-on-blonde-mofi-pressing","title":"Bob Dylan - Blonde On Blonde (MoFi 3LP 180g 45rpm Limited Numbered)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e1\/2\" \/ 30 IPS analog remix master to DSD 64 to analog console to lathe\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlonde on Blonde\u003c\/em\u003e: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Professor Sean Wilentz, historian-in-residence for Bob Dylan's Web site, comes as close to summing up its brilliance in his superb\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBob Dylan In America\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas any who've tried: \"The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty – in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld.\" No lie.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\" data-mce-fragment=\"1\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eTrack Listing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eA1:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRainy Day Women #12 \u0026amp; 35 4:35\u003cbr\u003e\u003cstrong\u003eA2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePledging My Time 3:55\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB1:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVisions Of Johanna 7:30\u003cbr\u003e\u003cstrong\u003eB2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOne Of Us Must Know (Sooner Or Later) 4:57\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eC1:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eI Want You 3:10\u003cbr\u003e\u003cstrong\u003eC2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eStuck Inside Of Mobile With The Memphis Blues Again 7:07\u003cbr\u003e\u003cstrong\u003eC3:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eLeopard-Skin Pill-Box Hat 3:50\u003cbr\u003eLead Guitar – Bob Dylan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD1:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eJust Like A Woman 4:52\u003cbr\u003e\u003cstrong\u003eD2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMost Likely You Go Your Way And I'll Go Mine 3:30\u003cbr\u003e\u003cstrong\u003eD3:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eTemporary Like Achilles 5:07\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE1:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAbsolutely Sweet Marie 4:57\u003cbr\u003e\u003cstrong\u003eE2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e4th Time Around 4:37\u003cbr\u003e\u003cstrong\u003eE3:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eObviously 5 Believers 3:37\u003cbr\u003eHarmonica – Charlie McCoy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eF:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSad Eyed Lady Of The Lowlands 11:20\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43594847715555,"sku":"","price":215.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/Bob_Dylan_Blonde_800x_ce794b05-3663-4c0b-ad1f-973f00ae598f.webp?v=1670660303"},{"product_id":"local-hero-mark-knopfler-mofi-pressing","title":"Local Hero - Mark Knopfler (MOFI PRESSING 180g)","description":"\u003cp\u003eMoFi Original Master Recording\u003c\/p\u003e\n\u003cp\u003e1LP\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43594852008163,"sku":"","price":90.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/localhero.webp?v=1670661027"},{"product_id":"natalie-merchant-tigerlily-mofi-pressing","title":"Natalie Merchant - Tigerlily MoFi Pressing","description":"\u003cp\u003eOriginal Master Recording \u003cbr\u003eMoFi\u003c\/p\u003e\n\u003cp\u003e2KO 45RPM\u003c\/p\u003e","brand":"MoFi Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":43594852794595,"sku":"","price":129.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/natalie-merchant-tigerlily-01.webp?v=1670661159"},{"product_id":"michal-jackson-thriller-mofi-180g-33rpm-lp-limited-numbered-ultradisc-one-step","title":"Michael Jackson - Thriller (MoFi 180g 33RPM LP Limited Numbered Ultradisc One-Step)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered from the original analog master tapes, pressed at RTI, housed in a slipcase, and strictly limited to 40,000 numbered copies, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMobile Fidelity’s UltraDisc One-Step\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e 180g 33RPM LP set does for Thriller what Jackson’s unforgettable appearance on the “Motown 25” TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time\u003c\/span\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43622797082851,"sku":"","price":290.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/42771401.jpg?v=1672204741"},{"product_id":"t-rex-electric-warrior-2lp-mofi-sound-lab","title":"T-Rex - Electric Warrior 2LP MOFI SOUND LAB","description":"2 LP MOBILE FIDELITY SOUND LAB PRESSING","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43663151595747,"sku":"","price":135.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/40298412.jpg?v=1674100681"},{"product_id":"bill-evans-and-jim-hall-undercurrent","title":"Bill Evans and Jim Hall - Undercurrent MOFI PRESSING","description":"\u003cp\u003eMobile Fidelty Sound Lab Pressing \u003c\/p\u003e\n\u003ch3\u003e1\/4\" \/ 15 IPS Dolby A analog copy to analog console to lathe\u003c\/h3\u003e\n\u003cp\u003eBill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUndercurrent\u003c\/em\u003e, the outcome of two studio sessions with guitarist Jim Hall, is that project.\u003c\/p\u003e\n\u003cdiv class=\"musicTrackList\"\u003e\n\u003col\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003eI Hear a Rhapsody\u003c\/li\u003e\n\u003cli\u003eDream Gypsy\u003c\/li\u003e\n\u003cli\u003eRomain\u003c\/li\u003e\n\u003cli\u003eSkating in Central Park\u003c\/li\u003e\n\u003cli\u003eDarn That Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"MoFi - Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":43663153037539,"sku":"","price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/Bill_Evans_Jim_Hall_Undercurrent_800x_aa0648d8-427b-448d-b3ee-985f20a7a0ff.jpg?v=1674100805"},{"product_id":"dire-straits-brothers-in-arms-mofi-original-master-recording","title":"Dire Straits - Brothers In Arms (MOFI ORIGINAL MASTER RECORDING)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMastered from the Original Master Tapes by \u003cem\u003eKrieg Wunderlich\u003c\/em\u003e\u003cem\u003e \u003c\/em\u003eat Mobile Fidelity Sound Lab, Sebastopol, CA on the\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eGAIN 2 ULTRA ANALOG SYSTEM\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eRelease Information\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMobile Fidelity Sound Lab, MFSL 2-441\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOriginal Master Recording, Gain 2™ Ultra Analog, 45RPM 180g Series\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2 x Vinyl LP, 45RPM\u003cspan\u003e, \u003c\/span\u003eLimited Edition, Numbered\u003cspan\u003e, Remastered, Gatefold\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUS\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReleased:\u003c\/strong\u003e 25 Feb 2015\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Classic Rock\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":43810438840547,"sku":"","price":140.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/products\/dire-straits-brothers-in-arms-01.webp?v=1681788171"},{"product_id":"sarah-vaughan-sarah-vaughan-verve-acoustic-sound-series","title":"Sarah Vaughan - Sarah Vaughan (Verve Acoustic Sound Series)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis 1954 studio date, a self-titled album recorded for Emarcy, was later re-released as Sarah Vaughan with Clifford Brown to mark the involvement of one of the top trumpeters of the time. Vaughan sings nine intimate standards with a band that includes Brown on trumpet, Herbie Mann on flute and Paul Quinichette on tenor, each of which has plenty of room for solos (most songs are close to the five-minute mark). In these recordings Sarah Vaughan is probably in the best vocal form of her career. She pauses and lingers at notes to the standards \"April in Paris\", \"Jim\" and \"Lullaby of Birdland\". As poignant as Vaughan is, Brown is almost equal to her in his solos on \"Lullaby of Birdland\", \"Jim\" and \"September Song\", showing his incredible bop virtuosity in a restrained setting, without sacrificing the simple feeling of his notes or the extraordinary flair of his selection.\u003c\/span\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIn the quest for definitive audiophile versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises are utilizing the skills of top mastering engineers and the unsurpassed production expertise of Quality Record Pressings for the new audiophile Acoustic Sounds vinyl re-edition series. All tracks are mastered from the original analog tapes, pressed onto 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality hinged sleeves with tip-on jackets. 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Up to the herculean task of standing head and shoulders above all prior reissues, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, massive dynamics, and microscopic levels of detail. You'll be able to practically smell the colitas and feel the breeze in your hair. Songs come across with an epic sweep and feature immersive, front-to-back soundstages that allow the music unprecedented air, roominess, and separation. As for the noise floor? It's basically as invisible as the spirits that waft in the corridors of the unforgettable title song.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAesthetically, the premium packaging and presentation of the UD1S Hotel California pressing befit its esteemed status. Housed in a deluxe box, it features gorgeous foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. From every angle, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the renowned cover art to the meticulous finishes.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eA Legitimate Rock Masterpiece\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIndeed, the opportunity to zero in on all the particulars of the 26-million-selling Eagles record dubbed \"a legitimate rock masterpiece\" by vaunted Los Angeles Times scribe Robert Hilburn has never been better. A global phenomenon that marked the band debut of guitarist-singer Joe Walsh, Hotel California continues to resonate and connect with listeners of all generations taken by its narrative depth, stark directness, picturesque melodies, daring majesty, and ardent emotionalism. Adorned with a breathtaking exterior photograph of the Beverly Hills Hotel that serves as the simultaneously haunting and alluring cover art, and rounded out by a rear-cover shot of the Lido Hotel lobby that reinforces a notion that teeters between permanence and transience, Hotel California is brilliantly tied to a specific place that functions as a universally understood metaphor for the American Dream.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConfronting the darker undercurrents and oft-ignored constructs attached to that romantic notion, the record's songs revolve around a host of shared themes: excess, mobility, stability, illusion, fame, destruction, and idealism included. Notably, Hotel California appeared at a crucial junction in American history: During the country's bicentennial and amid escalating controversies related to the Vietnam War, energy crisis, and governmental corruption. That the Eagles manage to channel such cultural, social, and economical matters into a cohesive, stately, big-picture statement is alone a stupendous feat. That the album's reach, boldness, vitality, accessibility, and understated intensity have never waned make it a marvel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReflecting on Hotel California 40 years after its original release, and indirectly explaining its enduring appeal and increasing relevance, singer-songwriter Don Henley confirmed the record pertains to the \"loss of innocence, the cost of naiveté...the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of ‘peace, love and understanding.'\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt can be argued that Henley and company squarely hit on and drove home those ideas in the surreal title track, chart-topping \"Life in the Fast Lane,\" and grand \"The Last Resort\" alone. But that would miss the forest for the trees. Experienced as an unbroken whole, complete with the pristinely shot imagery and physical grooves, Hotel California unfolds like a geography-conscious saga by James Michener and plays like color-saturated movie shot on 70mm film by Martin Scorsese. It's about our collective and individual decisions – and the shape of our past, present, and future. And, just like that conjured by our imaginations, Hotel California continues to take on a life of its own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHotel California\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNew Kid in Town\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eLife in the Fast Lane\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWasted Time\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eWasted Time (reprise)\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eVictim of Love\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePretty Maids All in a Row\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e8.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTry and Love Again\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Last Resort\u003c\/p\u003e","brand":"MoFi Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":44014451523811,"sku":"","price":295.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/mofi-lmfud1s028-01_1.webp?v=1696064534"},{"product_id":"carole-king-tapestry-original-master-recording","title":"Carole King - Tapestry (Original Master Recording)","description":"Carole King's masterpiece remastered by MoFi.","brand":"MoFi - Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":44054299246819,"sku":"","price":90.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/Carole_King_Tapestry_800x_40ba25fa-cad5-4adc-ab89-b14a0e9a66e4.webp?v=1697598060"},{"product_id":"chet-baker-sings-blue-note-tone-poet-edition","title":"Chet Baker - Sings (Blue Note Tone Poet Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003eThere are several Chet Baker albums with the title\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eChet Baker Sings\u003c\/em\u003e, but this one recorded for Pacific Jazz in 1954 and 1956 is the original, and arguably, the best. The album features Chet’s indelible vocals and sterling trumpet playing with two different quartet line-ups both featuring pianist Russ Freeman on a set of classic standards that he made his own including “My Funny Valentine,” “That Old Feeling,” and “I Fall In Love Too Easily.” For the first time in more than 60 years, this definitive edition was cut from the original master tapes in the correct order with pristine fidelity. The gatefold packaging includes additional session photography by William Claxton.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). \u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44098311291107,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/40072197.jpg?v=1698815509"},{"product_id":"kenny-burrell-k-b-blues-blue-note-tone-poet-series","title":"Kenny Burrell - K.B. Blues (Blue Note Tone Poet Series)","description":"\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLimited 180gm vinyl LP pressing housed in a deluxe gatefold tip-on jacket. Recorded in 1957, Kenny Burrell's 3rd session as a leader for Blue Note presented the guitarist's signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, \u0026amp; Louis Hayes. Previously only issued on vinyl in Japan this swinging set is given a new shine with this mono Tone Poet Vinyl Edition produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44098324725987,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/KB_BLUES_PROD_SHOT.webp?v=1698816543"},{"product_id":"jack-wilson-easterly-winds-tone-poet-series","title":"Jack Wilson - Easterly Winds (Tone Poet Series)","description":"\u003cspan data-mce-fragment=\"1\"\u003eEasterly Winds—the second of three Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, and Billy Higgins on drums. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracklist:\u003cbr data-mce-fragment=\"1\"\u003eSide A\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Do It\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. On Children \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. A Time For Love\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSide B\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Easterly Winds \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Nirvanna\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6. Frank's Tune \u003c\/span\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44098401370339,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/JW_EW_PROD_SHOT_a571493a-b35a-4b72-9055-e49d9912e6b8.webp?v=1698820290"},{"product_id":"bill-withers-greatest-hits-mofi-original-master-recording","title":"Bill Withers - Greatest Hits (MoFi Original Master Recording)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eTrack Listing\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA1:\u003c\/strong\u003e Just The Two Of Us\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA2:\u003c\/strong\u003e Use Me\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA3:\u003c\/strong\u003e Ain't No Sunshine\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA4:\u003c\/strong\u003e Lovely Day\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA5:\u003c\/strong\u003e I Want To Spend The Night\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB1:\u003c\/strong\u003e Soul Shadows\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB2:\u003c\/strong\u003e Lean On Me\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB3:\u003c\/strong\u003e Grandma's Hands\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB4:\u003c\/strong\u003e Hello Like Before\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB5:\u003c\/strong\u003e Who Is He What Is He To You\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eBill Withers' Smooth Soul Voice, Mellow Grooves, and Gospel Accents Inform Beloved Work\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBill Withers created mellow, downhome-style soul for barely more than a decade before retreating from the industry to pursue craftsman interests. Yet over the course of the handful of albums he made for Sussex and CBS, the Appalachian native struck lasting emotional chords in legends ranging from Booker T. Jones to Stephen Stills - not to mention the millions of listeners that fell under the spell of now-standard tracks such as \"Lean on Me,\" \"Use Me,\" and \"Ain't No Sunshine.\" The antithesis of the sweaty R\u0026amp;B shouter that prowled the edge of stages, Withers dealt in calm and vulnerability, qualities that come to fore on the seminal Bill Withers' Greatest Hits.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePressed on 180g LP at RTI, Mobile Fidelity's vinyl reissue of the 1981 compilation provides a transparent view of Withers' relaxing timbre and the subtle grooves underlining his arrangements. Characteristics ranging from the tension of the guitars, funky bends of the bass, whisper-soft coo of the formal strings, airiness of the backing harmonies, and sharpness of the snare drum emerge with utmost clarity and lifelike presence. Always prized for its naked honesty and pure conviction, Withers' music positively caresses the senses on this LP, the unadulterated production and beautiful soundscapes revealed anew with each listen.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIncredibly, Withers almost never got a shot at recording. After receiving a deal from Sussex while labouring as a toilet-seat manufacturer, he landed in the care of Stax bandleader Booker T. Jones, who gathered most of his fellow MG members - along with Stills and Jim Keltner - to assist in Withers' debut. Two takes from those sessions, the Grammy-winning \"Ain't No Sunshine\" and devotional \"Grandma's Hands,\" are included here, and showcase the vocalist's incredible breath control, folksy drawl, and restrained phrasing. They also indicate his penchant for converting biographical experience into eminently catchy combinations of pop, gospel, blues, and soul.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvidence of Withers' crossover appeal is found not only via his chart successes on both the pop and R\u0026amp;B charts, but in the DNA of his best work. There's not one forgettable moment on Greatest Hits. Covered by the likes of Fiona Apple, Mick Jagger, Isaac Hayes, Alicia Keys, and dozens more, \"Use Me\" rides a riveting clarinet riff and urban tempo to express the double-edged feelings associated with an edgy relationship. On the loping \"Who Is He (And What Is He to You?),\" Withers again splits the bitter and sweet. For the Latin-tinged \"Lovely Day,\" Withers holds a single note for 18 seconds and composed a song that's been sampled and rerecorded countless times by artists spanning Diana Ross to R. Kelly. And with \"Lean on Me,\" the West Virginian devised a masterpiece that's been for more than four decades part of the classic American songbook, an updated hymn carried to immortality by members of the Charles Wright \u0026amp; 103rd Street Rhythm Band.\u003c\/p\u003e","brand":"MoFi - Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":44314742456547,"sku":"","price":90.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/bill-withers-hits-01.webp?v=1705567163"},{"product_id":"bob-dylan-blood-on-the-tracks-mofi-pressing","title":"Bob Dylan - Blood On The Tracks (MoFi Pressing)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003ePRESENCE, IMMEDIACY, NATURALNESS, REALISM IN SPADES: ONE OF THE MOST LIFELIKE-SOUNDING ALBUMS YOU'LL EVER HEAR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1\/4\" \/ 15 IPS \/ Dolby A analog master to DSD 64 to analog console to lathe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decade's unprecedented run of transformational brilliance finished. Then came\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBlood on the Tracks\u003c\/em\u003e.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eYou're A Big Girl Now\u003c\/li\u003e\n\u003cli\u003eIdiot Wind\u003c\/li\u003e\n\u003cli\u003eYou're Gonna Make Me Lonesome When You Go\u003c\/li\u003e\n\u003cli\u003eMeet Me in the Morning\u003c\/li\u003e\n\u003cli\u003eLily, Rosemary and the Jack of Hearts\u003c\/li\u003e\n\u003cli\u003eIf You See Her, Say Hello\u003c\/li\u003e\n\u003cli\u003eShelter From the Storm\u003c\/li\u003e\n\u003cli\u003eBuckets of Rain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003eA start-to-finish cycle that documents a lover's pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bard's career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray. Dylan maintains it's a work of fiction, but it's evident close-vested autobiographical premise is what helps make it universal: It's the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of love's darker sides and the consequences of what happens when dreams unravel.\u003c\/p\u003e\n\u003cp\u003eAs part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LP at RTI. The end result is the very finest, most transparent analog edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood on the Tracks\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eever produced – and the first-ever proper analog reissue. Fantastically presenting both the solo acoustic and band-supported songs with the utmost clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.\u003c\/p\u003e\n\u003cp\u003eFor all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBlood on the Tracks\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eremains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylan's songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairness – all traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blame – instill the record with equilibrium on par with the consistency of the flowing melodies.\u003c\/p\u003e\n\u003cp\u003eThroughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. 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The fulfillment of a handshake deal Coltrane made with Alfred Lion, it would be the legendary saxophonist’s sole session as a leader for Blue Note Records, a locomotive five track album fueled by the bluesy title track that featured a dynamic sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Blue Train established Coltrane as a force of nature and set him on a course towards becoming one of the most revered and influential jazz artists of all-time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series. A 1-LP mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-LP stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl, and four of which have never been released before on any format. The Complete Masters comes with a booklet featuring never-before-seen session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn. Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, and pressed on 180g vinyl at RTI.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Few studio experiences I’ve had can compare with the thrill of listening to the original master tapes—mono, stereo and alternate takes—of Blue Train,” says Harley. “I consider these two new versions the definitive editions of this masterpiece performance by John Coltrane.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlue Train came at a pivotal moment in Coltrane’s career. Earlier in 1957, the saxophonist had hit bottom when his heroin addiction caused him to be fired from the Miles Davis Quintet. But after kicking his habit, Coltrane returned with a fervor inspired by an extended summer residency with Thelonious Monk at the Five Spot Café. By the end of the year, Coltrane had been rehired by Davis and had produced his first masterwork, an album that even he was deeply proud of. As Kahn recounts in his essay: “Blue Train was a recording that Coltrane, ever self-critical and modest, held in high regard. In 1960, while on tour with Miles Davis for the last time, a Swedish deejay asked Coltrane what he favored from his catalogue and he immediately responded: ‘Oh, I like Blue Train myself. It’s a good band on there, you know. It was a good recording.’”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP1: Blue Train Album (Stereo)\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlue Train\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMoment’s Notice\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLocomotion\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI’m Old Fashioned\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLazy Bird\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP2: Alternate \u0026amp; Incomplete Takes\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlue Train (false start)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlue Train (take 7)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMoment’s Notice (alternate take 4)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLazy Bird (take 1)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBlue Train (alternate take)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMoment’s Notice (incomplete alternate take 5A)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLazy Bird (alternate take)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44375079420131,"sku":"","price":89.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/johncoltranebluenote_800x_9f221f6d-c73b-4e13-af0a-e9d8ac9ea891.webp?v=1707354140"},{"product_id":"bill-evans-trio-64-verve-acoustic-sound-series-pressing","title":"Bill Evans - Trio 64 (Verve Acoustic Sound Series Pressing)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBill Evans - Trio 64 (Verve Acoustic Sounds Series) (Remastered) (Vinyl)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e2021, All-Analog 180g Vinyl LP pressing!\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eRemastered \u0026amp; Pressed at Quality Record Pressings!\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eMastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Joining Bill Evans (piano) on Trio '64 - his initial three-piece recording for Verve - is the compact rhythm section of Gary Peacock (bass) and Paul Motian (drums). The effort spotlights their communal and intuitive musical discourse, hinging on an uncanny ability of the musicians to simultaneously hear and respond. All the more interesting, Evans had not interacted in this setting before, having most recently worked with Chuck Israels (bass) and Larry Bunker (drums). The personable opener, 'Little Lulu,' features the aggregate melodically molding individual and distinct sonic characteristics. Evans' nimble and emphatic syncopation is not only ably supported, but framed by Peacock's expressive runs and Motian's acute sense of timing. 'A Sleeping Bee' is one of the collection's most endearing selections as the groove playfully scintillates surrounding some hauntingly poignant chord changes. Evans bandies back and forth with Peacock, the latter likewise providing a stellar solo. 'Always' captures a similar effervescence as the instrumentalists ebb and flow in synchronicity. Since the December 18 session was held the week before Christmas 1963, they fittingly tote out 'Santa Claus Is Coming to Town,' creating a minor masterpiece of post-bop from what could easily have started as a spontaneous seasonal suggestion. Noël Coward's 'I'll See You Again' bears a brisk waltz persona, enabling the unit to fluently weave its offerings without obstructing the otherwise affective tune. Concluding Trio '64 is Rodgers \u0026amp; Hart's standard 'Everything Happens to Me,' with an unhurried tempo lingering just long enough to embrace the familiar refrain. Evans sparkles, gliding around Peacock's full-bodied basslines and Motian's solid yet restrained beat.\" - Lindsay Planer, AllMusic\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTracklisting:\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLittle Lulu\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Sleeping Bee\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAlways\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSanta Claus Is Coming To Town\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI'll See You Again\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFor Heaven's Sake\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDancing In The Dark\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEverything Happens To Me\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44375083253987,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/evans-bill-trio-64-verve-acoustic-sounds-series-remastered-vinyl-493160_800x_a9ea9b2c-c2b7-4254-86de-042d0ad53e8b.webp?v=1707354272"},{"product_id":"alan-parsons-project-i-robot-mofi-45rpm-180g-vinyl-2lp","title":"Alan Parsons Project- I Robot (MoFi 45rpm 180g Vinyl 2LP)","description":"\u003ch3\u003eTrack Listing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eA1:\u003c\/strong\u003e I Robot\u003cbr\u003e\u003cstrong\u003eA2:\u003c\/strong\u003e I Wouldn't Want To Be Like You\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eB1:\u003c\/strong\u003e Some Other Time\u003cbr\u003e\u003cstrong\u003eB2:\u003c\/strong\u003e Breakdown\u003cbr\u003e\u003cstrong\u003eB3:\u003c\/strong\u003e Don't Let It Show\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eC1:\u003c\/strong\u003e The Voice\u003cbr\u003e\u003cstrong\u003eC2:\u003c\/strong\u003e Nucleus\u003cbr\u003e\u003cstrong\u003eC3:\u003c\/strong\u003e Day After Day (The Show Must Go On)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eD1:\u003c\/strong\u003e Total Eclipse\u003cbr\u003e\u003cstrong\u003eD2:\u003c\/strong\u003e Genesis Ch.1, V.32\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cbr\u003eImmaculate Highs and Lows, Supreme Spaciousness, See-Through Transparency, Wider Grooves on System-Testing Pressing\u003c\/h3\u003e\n\u003cp\u003eAudiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist.\u003cbr\u003e\u003cbr\u003eMastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.\u003cbr\u003e\u003cbr\u003eSavor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings. This is the very reason you own and invest in high-end audio gear.\u003cbr\u003e\u003cbr\u003eInspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendancy of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as \"The Voice\" call into question human behaviour - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\u003cbr\u003e\u003cbr\u003eI Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilises a looped sequence on the title track to create new downbeats. \"Some Other Time\" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace \"Don't Let It Show.\" The origins of \"Nucleus\" stem from a unique analog keyboard concoction dubbed \"the Projectron,\" devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with \"Total Eclipse\" arriving as an aptly frightening track that presages the climactic \"Genesis Ch. 1 V. 32.\"\u003c\/p\u003e","brand":"MoFi - Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":44441679888611,"sku":"","price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/alan-parsons-i-robot-01.webp?v=1709008320"},{"product_id":"stan-getz-bill-evans-previously-unreleased-recordings-verve-acoustic-sound-series","title":"Stan Getz \u0026 Bill Evans - Previously Unreleased Recordings (Verve Acoustic Sound Series)","description":"\u003cdiv class=\"productdetails n-responsive-content\"\u003e\n\u003cp\u003e2024 release\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStan Getz and Bill Evans are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities, with both artists at the peak of their creative powers.\u003c\/p\u003e\n\u003cp\u003eVerve Acoustic Sounds Series features transfers from analog tapes and remastered on 180g vinyl in deluxe gatefold packaging. 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No one should be put off by the rather unfortunate cover.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eClap Hands...\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21\u003csup data-mce-fragment=\"1\"\u003est\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecentury being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginally released in 1962.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElla Fitzgerald, vocals\u003cbr data-mce-fragment=\"1\"\u003eHerb Ellis, guitar\u003cbr data-mce-fragment=\"1\"\u003eGus Johnson, drums\u003cbr data-mce-fragment=\"1\"\u003eStan Levey, drums\u003cbr data-mce-fragment=\"1\"\u003eLou Levy, piano\u003cbr data-mce-fragment=\"1\"\u003eWilfred Middlebrooks, bass\u003cbr data-mce-fragment=\"1\"\u003eJoe Mondragon, bass\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tab-pane fade active in\" id=\"tracks\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003ctable width=\"200\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e1. 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Cry Me A River\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e9. This Year's Kisses\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e10. Good Morning Heartache\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e11. (I Was) Born To Be Blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e12. Clap Hands, Here Comes Charlie!\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e13. Spring Can Really Hang You Up The Most\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd nowrap data-mce-fragment=\"1\"\u003e14. Music Goes 'Round And 'Round\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44642135113955,"sku":"","price":89.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/Copy_Copy_AVEC_4053__11126__01152009112721-1318.jpg?v=1711943185"},{"product_id":"john-coltrane-my-favorite-things-analogue-production-series","title":"John Coltrane - My Favorite Things (Analogue Production Series)","description":"\u003cspan data-mce-fragment=\"1\"\u003eAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! John Coltrane's seminal 1961 release featuring 'Everytime We Say Goodbye' 180-gram 45 RPM double LP Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable. This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet - which includes Coltrane (soprano\/tenor sax), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) - allow for tastefully executed passages a la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic. Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song 'My Favorite Things' from The Sound of Music. Coltrane's use of modal playing made him a pioneer - modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes. Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard 'Everytime We Say Goodbye' and tenor solos on 'But Not for Me' easily establish Coltrane as a pioneer of both instruments. In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500,000 copies. We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\u003c\/span\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44845977305315,"sku":"","price":149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/4256160-3072629.jpg?v=1713852692"},{"product_id":"john-coltrane-giant-steps-analogue-productions","title":"John Coltrane - Giant Steps (Analogue Productions)","description":"\u003cspan data-mce-fragment=\"1\"\u003eAnalogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! John Coltrane's watershed 1960 release featuring the iconic title track and 'Naima' One of the most influential jazz albums of all time! 180-gram 45 RPM double LP Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers - who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated - replicating the alternate non-Bill Evans lineup featured on 'Freddie the Freeloader' on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos - enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed 'sheets of sound.' The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, it's difficult chord changes presenting a 'kind of ultimate harmonic challenge', and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently 'Naima' and 'Giant Steps.' The Penguin Guide to Jazz selected this album as part of it's suggested 'Core Collection' calling it 'Trane's first genuinely iconic record.' In 2003, the album was ranked No. 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list. Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing. Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. It's innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.\u003c\/span\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44846282539235,"sku":"","price":149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/4256158-3072628.jpg?v=1713857927"},{"product_id":"horace-silver-silvers-serenade-blue-note-tone-poet-reissue","title":"Horace Silver - Silver's Serenade (Blue Note Tone Poet Reissue)","description":"\u003ctable height=\"5\" style=\"border-collapse: collapse; width: 11px;\" width=\"113\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width: 10px;\" width=\"113\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 16.0pt;\" height=\"21\"\u003e\n\u003ctd style=\"height: 16.0pt; width: 85pt;\" width=\"113\" height=\"21\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded in May 1963, Silver's Serenade was the last in a fantastic run of albums that pianist Horace Silver would make with the most celebrated lineup of his Quintet featuring Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard-bop classics like Finger Poppin' and Blowin' the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver's Serenade consists of five Silver tunes that epitomize his exceptional compositional style: captivating melodies, sophisticated harmonies, and intricate rhythmic inventions with a soulful and unerring sense of swing at the core. From the relaxed groove of the opening title track to the hard-charging finale \"Nineteen Bars\" the Quintet delivers their swan song with style.\u003c\/p\u003e\n\u003cp\u003eThe Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the \"Tone Poet,\" on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology, Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology, Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44860628566243,"sku":"","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/The-Horance-Silver-Quintet-Silvers-Serenade-lp.jpg?v=1714040644"},{"product_id":"bob-dylan-nashville-skyline-mofi-pressing","title":"Bob Dylan - Nashville Skyline (MoFi Pressing)","description":"\u003cp\u003eFor an artist whose career is flush with enigma, myth, and disguise,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNashville Skyline\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003estill surprises more than almost any other Bob Dylan move more than four decades after its original release. Distinguished from every other Dylan album by virtue of the smooth vocal performances and simple ease, the 1969 record witnesses the icon's full-on foray into country and trailblazing of the country-rock movement that followed. Cozy, charming, and warm, the rustic set remains for many hardcore fans the Bard's most enjoyable effort. And most inimitable. The result of quitting smoking, Dylan's voice is in pristine shape, nearly unidentifiable from the nasal wheeze and folk accents displayed on prior records.\u003c\/p\u003e\n\u003cp\u003eMastered on our world-renowned mastering system and pressed at RTI, this restored 45RPM analog version zeroes in on the shocking purity and never-again-replicated croon of Dylan's vocals. Enhanced, too, are the images associated with the calmly strummed and picked acoustic guitars and decay connected to the fading notes. The dimensions and ambience of the Columbia studio translate via subtle echoes and natural blend of instruments melding with one another, akin to honey integrating with tea. Providing comparably soothing effects, relaxing vibes pour forth from this reissue, which affords this masterpiece the fidelity it's always deserved. Wider grooves mean more information reaches your ears.\u003c\/p\u003e\n\u003cp\u003e\"Is it rolling, Bob?,\" Dylan famously queries producer Bob Johnson at the beginning of \"To Be Alone With You,\" indicating the laissez-faire feelings that surrounded the sessions and helped yield the laidback, convivial music defining the album – arguably the most unique in the artist's vast catalog. While he dipped his toes into country waters on the preceding\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJohn Wesley Harding\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNashville Skyline\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethrows its collective arms around the style in bear-hug fashion and drops any obvious folk references. Everything from the songs' moods to the amicable arrangements reacts against the era's turmoil and popular sounds.\u003c\/p\u003e\n\u003cp\u003eThis beautiful and beautifully executed effort might stand as Dylan's most effective protest ever, even if many missed the point upon original release. Advocating peace, love, and old-world allure without calling attention to any characteristic in an overly forward manner, Dylan frames the songs as ballads, rags, lullabies, and gentle honky-tonk dances. He adheres to expeditious brevity, keeping the arrangements tight and free of any filler, thus allowing the melodies to immediately work their magic and place hummable memories inside listeners' heads.\u003c\/p\u003e\n\u003cp\u003eIndeed, if any Dylan masterpiece is overlooked, it's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNashville Skyline\u003c\/em\u003e. In addition to his superb singing and infallible songs, Dylan enjoys backing from a crackerjack assembly of Nashville session musicians including Charlie Daniels, Marshall Grant, W.S. Holland, Charlie McCoy, Ken Buttrey, and Norman Blake. Country pros, and their respective performances, don't come any better.\u003c\/p\u003e\n\u003cp\u003eAs much as on any of his records, Dylan resides in a good place, mentally and emotionally. The idyllic, warmhearted environs of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNashville Skyline\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003estand apart now just as they did in the late 1960s. The sincerity conveyed on the inviting \"Lay Lady Lay,\" relief sighed on the romantic \"Tonight I'll Be Staying Here With You,\" and unlimited promise expressed on the jittery \"To Be Alone With You\" parallel the lessons-learned yearning and genuine desire found on \"One More Night,\" bracing \"I Threw It All Away,\" and eternal \"Girl From the North Country,\" performed to perfection with Johnny Cash.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTrack Listing:\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eGirl From the North Country\u003c\/li\u003e\n\u003cli\u003eNashville Skyline Rag\u003c\/li\u003e\n\u003cli\u003eTo Be Alone with You\u003c\/li\u003e\n\u003cli\u003eI Threw It All Away\u003c\/li\u003e\n\u003cli\u003ePeggy Day\u003c\/li\u003e\n\u003cli\u003eLay Lady Lay\u003c\/li\u003e\n\u003cli\u003eOne More Night\u003c\/li\u003e\n\u003cli\u003eTell Me That It Isn't True\u003c\/li\u003e\n\u003cli\u003eCountry Pie\u003c\/li\u003e\n\u003cli\u003eTonight I'll Be Staying Here with You\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"MoFi Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":44936217821411,"sku":"","price":140.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/MFSL2-424-2_800x_187aeec9-08e9-4bfe-ad01-fbfd3dcc42f7.webp?v=1715156837"},{"product_id":"bobby-hutcherson-oblique-blue-note-tone-poet-reissue","title":"Bobby Hutcherson - Oblique (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOblique\u003c\/em\u003e\u003cspan\u003e is one of only two quartet sessions the great vibraphonist \u003c\/span\u003e\u003cstrong\u003eBobby Hutcherson\u003c\/strong\u003e\u003cspan\u003e recorded for Blue Note (the classic Happenings being the other). Both albums featured the seminal pianist \u003c\/span\u003e\u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e\u003cspan\u003e and drum master \u003c\/span\u003e\u003cstrong\u003eJoe Chambers\u003c\/strong\u003e\u003cspan\u003e, with the only variable in the line-up here being bassist\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eAlbert Stinson\u003c\/strong\u003e\u003cspan\u003e. Hutcherson’s breezy opener “‘Til Then,” Hancock’s tremendous “Theme From Blow Up,” and Chambers’ adventurous “Oblique” are standouts of a session that, taken as a whole, is an incredible journey from hard bop grooves to exploratory sonic tone poems. Recorded in 1967, the album wasn’t first released until 1979.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA1: ’Til Then\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2: My Joy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3: Theme From Blow-Up\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eB1: Subtle Neptune\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2: Oblique\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3: Bi-Sectional\u003c\/span\u003e\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":44968638251235,"sku":"","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/Bobby-Hutcherson---Oblique-Pack-Shot.webp?v=1715665632"},{"product_id":"bruce-springsteen-the-wild-the-innocent-the-e-street-shuffle-1lp-mofi-supervinyl-box-set","title":"Bruce Springsteen - The Wild, The Innocent \u0026 The E Street Shuffle (1LP MOFI SuperVinyl Box Set)","description":"\u003cp\u003eReleased only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent \u0026amp; the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humor, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid color, breathtaking detail, and poetic action.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMobile Fidelity Sound Labs\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ebelieves that mastering systems should be neutral and transparent. The essential idea is to unveil all the detailed musical information on the original master recording without adding deterioration, colouration or other sonic artefacts.\u003c\/p\u003e\n\u003cp\u003eWith proprietary innovations such as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGAIN 2\u003c\/strong\u003e™, general music enthusiasts and audiophiles alike have reaped the benefit of a higher consumer audio standard without investing in costly new hardware.\u003c\/p\u003e\n\u003c!----\u003e","brand":"MoFi - Mobile Fidelity Sound Lab","offers":[{"title":"Default Title","offer_id":45014687940835,"sku":"","price":270.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/bruce-springsteen-wild-innocent-e-street_1.webp?v=1716432044"},{"product_id":"donald-byrd-byrds-eye-view-blue-note-tone-poet-pressing","title":"Donald Byrd - Byrd's Eye View (Blue Note Tone Poet Pressing)","description":"\u003cp\u003e Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTransition Records,\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eByrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current lineup of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston-area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session. Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original \"Doug's Blues\" followed by some inspired trading between Byrd and Gordon on \"El Sino.\" A beautiful rendition of the ballad \"Everything Happens to Me\" and two swinging Mobley pieces comprise Side B, bringing this highly enjoyable date to a close.\u003c\/p\u003e\n\u003cp\u003eThe Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the \"Tone Poet,\" on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45049049252067,"sku":"","price":75.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/602445852253.jpg?v=1716947610"},{"product_id":"bobby-hutcherson-total-eclipse-blue-note-tone-poet-reissue","title":"Bobby Hutcherson - Total Eclipse (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 album \u003c\/span\u003e\u003cem\u003eTotal Eclipse\u003c\/em\u003e\u003cspan\u003e was the vibraphonist’s first recording to feature tenor saxophonist and flutist Harold Land who would go on to become a key collaborator in the years to follow. Hutcherson and Land had been co-leading a band on the West Coast and came to New York City for engagements at Slugs’ Saloon and the Village Vanguard before heading into Plaza Sound Studio to record the album. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson \u0026amp; Hutcherson’s go-to drummer Joe Chambers on this impassioned and probing set of post-bop. With the exception of Corea’s exceptional piece “Matrix,” the rest of the program consists of Hutcherson compositions including the assured and briskly swinging opener “Herzog” and the epic closer “Pompeian” which moves between a gentle, lilting waltz and more turbulent explorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product_tracklist\"\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHerzog\u003c\/li\u003e\n\u003cli\u003eTotal Eclipse\u003c\/li\u003e\n\u003cli\u003eMatrix\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSame Shame\u003c\/li\u003e\n\u003cli\u003ePompeian\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_credits\"\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45049195888867,"sku":"","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/TotalEclipseLP.webp?v=1716948087"},{"product_id":"kenny-burrell-john-coltrane-kenny-burrell-john-coltrane-original-jazz-classics-series-pressing","title":"Kenny Burrell \u0026 John Coltrane - Kenny Burrell \u0026 John Coltrane (Original Jazz Classics Series Pressing)","description":"\u003cp\u003e Originally released in 1963 on Prestige, Kenny Burrell \u0026amp; John Coltrane features Burrell and Coltrane alongside Tommy Flanagan, Paul Chambers and Jimmy Cobb playing across 5 tracks.\u003c\/p\u003e\n\u003cp\u003eThis new edition is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analogue mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a Tip-On Jacket\u003c\/p\u003e\n\u003ch3 class=\"pdp-jss-groupTitle-129\"\u003eLP\u003c\/h3\u003e\n\u003col class=\"pdp-jss-groupTrackList-130\"\u003e\n\u003cli class=\"pdp-jss-listItem-131\"\u003eFreight Trane\u003c\/li\u003e\n\u003cli class=\"pdp-jss-listItem-131\"\u003eI Never Knew\u003c\/li\u003e\n\u003cli class=\"pdp-jss-listItem-131\"\u003eLyresto\u003c\/li\u003e\n\u003cli class=\"pdp-jss-listItem-131\"\u003eWhy Was I Born?\u003c\/li\u003e\n\u003cli class=\"pdp-jss-listItem-131\"\u003eBig Paul\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45157672976611,"sku":"","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/748736-Product-0-I-638531502002081374.webp?v=1718689477"},{"product_id":"the-cars-candy-o-mofi-lp-180g","title":"The Cars - Candy-O (Mofi LP 180g)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe second Cars album from 1979 followed exactly the well-known style of the first. Pop rhythms and biting lyrics made this one of the most successful new wave albums and after only a few weeks the platinum status of the LP was reached. The title was the abbreviation for Candy-Obnoxious and the lyrics of women and couples act accordingly. Although they seem wonderfully desirable, they can't save this appearance into daylight\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCandy-O's cover picture appears again and again in the lists of the most famous record covers and comes from the illustrator Alberto Vargas. Vargas became famous through his work for men's magazines and drummer David Robinson was a big fan of these pictures. Vargas after the job also started at the age of 80 at the request of his niece, a Cars fan, and worked with a photograph that Robinson had taken at a Ferrari dealer in Beverly Hills. The lady in the photo was actually called Candy Moore and had been sent by the record company.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eA1 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Let%27s+Go\" target=\"_blank\"\u003eLet'S Go\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA2 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Since+I+Held+You\" target=\"_blank\"\u003eSince I Held You\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA3 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+It%27s+All+I+Can+Do\" target=\"_blank\"\u003eIt'S All I Can Do\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA4 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Double+Life\" target=\"_blank\"\u003eDouble Life\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA5 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Shoo+Be+Doo\" target=\"_blank\"\u003eShoo Be Doo\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA6 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Candy-O\" target=\"_blank\"\u003eCandy-O\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB1 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Night+Spots\" target=\"_blank\"\u003eNight Spots\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB2 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+You+Can%27t+Hold+On+Too+Long\" target=\"_blank\"\u003eYou Can'T Hold On Too Long\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB3 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Lust+For+Kicks\" target=\"_blank\"\u003eLust For Kicks\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB4 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Got+A+Lot+On+My+Head\" target=\"_blank\"\u003eGot A Lot On My Head\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB5 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=The+Cars+Dangerous+Type\" target=\"_blank\"\u003eDangerous Type\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45165725516003,"sku":"","price":90.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/the-cars-candy-o-01.webp?v=1718849454"},{"product_id":"miles-davis-kind-of-blue-mofi","title":"Miles Davis - Kind Of Blue (MoFi Pressing)","description":"\u003ch3\u003eTrack Listing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eA1:\u003c\/strong\u003e So What\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eB1:\u003c\/strong\u003e Freddie Freeloader\u003cbr\u003e\u003cstrong\u003eB2:\u003c\/strong\u003e Blue In Green\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eC1:\u003c\/strong\u003e All Blues\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eD1:\u003c\/strong\u003e Flamenco Sketches\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003cbr\u003eIf There's a Stairway to Heaven, This is the Soundtrack: Epochal 1959 Record the Mt. Rushmore of Jazz Sessions\u003c\/h3\u003e\n\u003cp\u003eHow does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. There's also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.\u003cbr\u003e\u003cbr\u003eIn its three-decade-plus history, Mobile Fidelity has never been prouder to have the honour of handling efforts as important as Davis' key recordings. It's why the our engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organisation and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest calibre.\u003cbr\u003e\u003cbr\u003eWhile no one has ever completely identified the magic behind the record's allure - the otherworldly nature is part of its inherent charm - much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.\u003cbr\u003e\u003cbr\u003eAn audiophile favourite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelity's reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eGAIN 2™ Ultra Analog™ System for Vinyl\u003c\/h3\u003e\n\u003cp\u003eGAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.\u003cbr\u003e\u003cbr\u003eThe GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)\u003cbr\u003e\u003cbr\u003eFirst and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. 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Turrentine had already led 12 dates for the label from his hard bop debut \u003c\/span\u003e\u003cem\u003eLook Ou\u003c\/em\u003e\u003cspan\u003et! in 1960 to the soul jazz workout Hustlin’ recorded in January 1964. That Fall the saxophonist was back in\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eRudy Van Gelder\u003c\/strong\u003e\u003cspan\u003e’s Englewood Cliffs studio at the helm of a cutting-edge modern jazz group with \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e on trumpet, \u003c\/span\u003e\u003cstrong\u003eMcCoy Tyner\u003c\/strong\u003e\u003cspan\u003e on piano, \u003c\/span\u003e\u003cstrong\u003eBob Cranshaw\u003c\/strong\u003e\u003cspan\u003e on bass, and \u003c\/span\u003e\u003cstrong\u003eElvin Jones\u003c\/strong\u003e\u003cspan\u003e on drums with \u003c\/span\u003e\u003cstrong\u003eRay Barretto\u003c\/strong\u003e\u003cspan\u003e joining on congas for several songs. 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Recorded during the middle of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGordon’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e“golden period” career renaissance after he signed with Blue Note in 1961, the tenor saxophone legend is joined by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFreddie\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHubbard\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon trumpet and the remarkable rhythm section of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBarry\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHarris\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon piano,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBob\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCranshaw\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon bass, and the great\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBilly\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHiggins\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon drums.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLong\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTall\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDexter’s\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erendition of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSinatra\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eevergreen “I’m a Fool To Want You” stands as one of his all-time greatest ballad performances.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBlue Note Tone Poet Series\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note\/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eA1: Hanky Panky\u003cbr\u003eA2: I’m A Fool To Want You\u003cbr\u003eA3: Devilette\u003cbr\u003e\u003cbr\u003eB1: Clubhouse\u003cbr\u003eB2: Jodi\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45229155844323,"sku":"","price":69.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/DEXTER_GORDON_product_02_1.webp?v=1720160041"},{"product_id":"nina-simone-pastel-blues-verve-acoustic-sound-series","title":"Nina Simone - Pastel Blues (Verve Acoustic Sound Series)","description":"\u003cp\u003eNina Simone, who sees the blues more as feeling than form, finds intersections between the sacred and the profane on Pastel Blues, her fourth Philips LP. Using a rich palette of moods and emotions, Simone covers a wide range of songs: Classics such as \"Trouble in Mind\" and \"Nobody Knows You When You're Down and Out\", a piano and vocal version of \"Strange Fruit\" and the redeeming \"Sinnerman\", presented as ascending, gospelized vocals\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe third season presents two absolute Nina Simone classics. As exquisitely crafted as here were these but never before: mastered without digital intermediate steps from the original analog tapes, in 180g- Vinyl pressed by Quality Record Pressings and packed in sturdy tip-on-gatefold sleeves, printed and processed at Stoughton Printing Co. The entire production chain is overseen by the legendary Chad Kassem from the audiophile LP label Acoustic Sounds.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eA1 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Be+My+Husband\" target=\"_blank\"\u003eBe My Husband\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA2 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Nobody+Knows+You+When+You%27re+Down+And+Out\" target=\"_blank\"\u003eNobody Knows You When You'Re Down And Out\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA3 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+End+Of+The+Line\" target=\"_blank\"\u003eEnd Of The Line\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA4 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Trouble+In+Mind\" target=\"_blank\"\u003eTrouble In Mind\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA5 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Tell+Me+More+And+More+And+Then+Some\" target=\"_blank\"\u003eTell Me More And More And Then Some\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA6 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Chilly+Winds+Don%27t+Blow\" target=\"_blank\"\u003eChilly Winds Don'T Blow\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB1 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Ain%27t+No+Use\" target=\"_blank\"\u003eAin'T No Use\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB2 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Strange+Fruit\" target=\"_blank\"\u003eStrange Fruit\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB3 \u003c\/span\u003e\u003ca rel=\"nofollow\" href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Sinnerman\" target=\"_blank\"\u003eSinnerman\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45229247856867,"sku":"","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/nina-simone.webp?v=1720160943"},{"product_id":"bill-evans-trio-trio-65-verve-acoustic-sound-series","title":"Bill Evans Trio - Trio '65 (Verve Acoustic Sound Series)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter Acoustic Sounds released a vinyl reissue of Bill Evans \"Trio 64\" in August 2021, jazz lovers can also look forward to the reissue of \"Trio 65\" in 2022.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eVerve's Acoustic Sounds series presents regular reissues of the world's finest and historically important jazz records. Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes, they appear on 180-gram LPs.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlong with Miles Davis and John Coltrane, Evans is one of the towering figures of modern jazz. The pianist inspired an entire generation of pianists to follow him. Throughout his career, he played continuously in the classic jazz trio setting. From 1956 until his death in 1980, some 20 different musicians were thus at his side in changing ensembles.\u003c\/div\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45229256278243,"sku":"","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/BILLEVANS_TRIO_65_PRODSHOT.webp?v=1720161072"},{"product_id":"wayne-shorter-odyssey-of-iska-blue-note-tone-poet-reissue","title":"Wayne Shorter - Odyssey Of Iska (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP pressing. The winds of change were blowing through Wayne Shorter's life and career in 1970. The saxophonist had just left Miles Davis' group and was soon to form his collective fusion band Weather Report. His music was evolving too as he began to delve into his own unique fusion explorations on his previous two Blue Note recordings Super Nova and Moto Grosso Feio. Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter's early Blue Note period. The album was a tribute to his daughter Iska-who had been born the year before with severe brain damage-with four immersive Shorter compositions portraying a variety of moods: \"Wind,\" \"Storm,\" \"Calm,\" and \"Joy.\" The album's centerpiece is an extended version of Bobby Thomas' Brazilian influenced piece \"De Pois do Amor, o Vazio\" (After Love, Emptiness), foreshadowing Shorter's growing interest in Brazilian music which he would explore further in the years to come. Shorter's soprano and tenor saxophones are the lone horns heard on the album which featured Gene Bertoncini on guitar, David Friedman on vibraphone and marimba, Ron Carter and Cecil McBee on bass, and Alphonse Mouzon, Billy Hart, and Frank Cuomo contributing drums and percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45269260206307,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/tplp96360__89327_grande_e3fd3c72-4107-40b3-92ce-f1511872814d.webp?v=1720942710"},{"product_id":"nina-simone-wild-is-the-wind-acoustic-sound-series","title":"Nina Simone - Wild Is The Wind (Acoustic Sound Series)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNina Simone's Wild Is The Wind, from March 1966, and its breathlessly engaging title track, were compiled from several recordings that were left over from sessions for previous albums for Phillips. In 2020 the album was ranked 212 on Rolling Stone's 500 Greatest Albums of All Time. Rolling Stone says it's among Simone's \"most enthralling and eclectic.\"\u003c\/p\u003e\n\u003cp\u003e\"With her dusky voice at its most commanding, Simone works her way through roadhouse soul ('I Love Your Lovin' Ways') and dramatic set pieces (the melancholic 'Lilac Wine,' later covered by Jeff Buckley). It peaks with 'Four Women,' an ambitious saga of racially diverse women and their struggles, written by Simone.\" — Rolling Stone\u003c\/p\u003e\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAcoustic Sounds Series reissues from Verve\/Universal Music Enterprises!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMonthly releases highlighting the world's most historic and best jazz records!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMastered by Ryan K. Smith at Sterling Sound from the original analog tapes\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e180-gram LPs pressed at Quality Record Pressings!\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eStoughton Printing gatefold old-style tip-on jackets\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSeries supervised by Chad Kassem CEO of Acoustic Sounds\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA1 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+I+Love+Your+Lovin%27+Ways\" rel=\"nofollow\" target=\"_blank\"\u003eI Love Your Lovin' Ways\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA2 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Four+Women\" rel=\"nofollow\" target=\"_blank\"\u003eFour Women\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA3 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+What+More+Can+I+Say\" rel=\"nofollow\" target=\"_blank\"\u003eWhat More Can I Say\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA4 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Lilac+Wine+(From+\" rel=\"nofollow\" dance=\"\" target=\"_blank\"\u003eLilac Wine (From \"Dance Me A Song\")\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA5 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+That%27s+All+I+Ask\" rel=\"nofollow\" target=\"_blank\"\u003eThat'S All I Ask\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eA6 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Break+Down+And+Let+It+All+Out\" rel=\"nofollow\" target=\"_blank\"\u003eBreak Down And Let It All Out\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB1 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Why+Keep+On+Breakin+My+Heart\" rel=\"nofollow\" target=\"_blank\"\u003eWhy Keep On Breakin My Heart\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB2 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Wild+Is+The+Wind\" rel=\"nofollow\" target=\"_blank\"\u003eWild Is The Wind\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB3 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Black+Is+The+Color+Of+My+True+Love%27s+Hair\" rel=\"nofollow\" target=\"_blank\"\u003eBlack Is The Color Of My True Love'S Hair\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB4 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+If+I+Should+Lose+You\" rel=\"nofollow\" target=\"_blank\"\u003eIf I Should Lose You\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003eB5 \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/results?search_query=Nina+Simone+Either+Way+I+Lose\" rel=\"nofollow\" target=\"_blank\"\u003eEither Way I Lose\u003c\/a\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45324955353315,"sku":"","price":70.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/71ZnIhCF2sL._UF894_1000_QL80.jpg?v=1721966963"},{"product_id":"donald-byrd-byrd-blows-on-beacon-hill-blue-note-tone-poet-reissue","title":"Donald Byrd - Byrd Blows On Beacon Hill (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"productdetails n-responsive-content\"\u003e\n\u003cp\u003eRecorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd Blows on Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston-area musicians Ray Santisi on piano and Jim Zitano on drums. The standards-heavy set was captured on a rainy spring afternoon in the Beacon Hill home of engineer Steve Fassett, which provided a casual atmosphere that gave the album both its title and its easygoing charm. Byrd is at his lyrical best on Joe Sullivan's tune \"Little Rock Getaway\" as well versions of \"Polka Dots and Moonbeams,\" \"If I Love Again,\" and \"Stella by Starlight.\" The trumpeter lays out to let the trio shine on \"People Will Say We're in Love\" and \"What's New.\"\u003c\/p\u003e\n\u003cp\u003eThe Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the \"Tone Poet,\" on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology, Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\u003cp\u003eThis mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology, Inc. (RTI), and packaged in a deluxe tip-on jacket with a booklet.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"small\"\u003e(\u003cspan itemprop=\"productID\"\u003e602448819468\u003c\/span\u003e)\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45331239010531,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/602448819468.jpg?v=1722047533"},{"product_id":"amy-winehouse-back-to-black-2lp-half-speed-remaster","title":"Amy Winehouse - Back To Black (2LP Half-Speed Remaster)","description":"\u003cp\u003e  - side 1 -\u003cbr\u003e    1 Rehab 3:34\u003cbr\u003e    2 You Know I'm No Good 4:17\u003cbr\u003e    3 Me and Mr Jones 2:33\u003cbr\u003e    4 Just Friends 3:13\u003cbr\u003e    5 Back to Black 4:01\u003cbr\u003e    6 Love Is a Losing Game 2:35\u003cbr\u003e    - side 2 -\u003cbr\u003e    1 Tears Dry on Their Own 3:06\u003cbr\u003e    2 Wake Up Alone 3:42\u003cbr\u003e    3 Some Unholy War 2:22\u003cbr\u003e    4 He Can Only Hold Her 2:46\u003cbr\u003e    5 Addicted 2:45\u003c\/p\u003e\n\u003cp\u003e    - side 3 -\u003cbr\u003e    1 Valerie\u003cbr\u003e    2 Cupid\u003cbr\u003e    3 Monkey Man\u003cbr\u003e    4 Some Unholy War\u003cbr\u003e    5 Hey Little Rich Girl\u003cbr\u003e    - side 4 -\u003cbr\u003e    1 You're Wondering Now\u003cbr\u003e    2 To Know Him Is to Love Him\u003cbr\u003e    3 Love Is a Losing Game (Original Demo)\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45349675139299,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/WF-0600753691090.jpg?v=1722405170"},{"product_id":"lee-morgan-taru-blue-note-tone-poet-reissue","title":"Lee Morgan - Taru (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e Lee Morgan's 1968 album Taru—which wouldn't be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.\u003c\/p\u003e\n\u003cp\u003eThe session also marked Morgan's first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins. The six-song set covered a range of stylistic ground including modal jazz (\"Avotcja One\"), hard-charging post-bop (\"Get Yourself Together\"), beautiful balladry (\"Haeschen\" and \"Taru, What's Wrong With You?\"), gospel-tinged numbers (\"Dee Lawd\"), and funky boogaloos (\"Durem\").\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis stereo Blue Note Tone Poet Series edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45425716363491,"sku":"","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/602448644282.jpg?v=1724137220"},{"product_id":"lee-morgan-taru-blue-note-tone-poet-reissue-1","title":"Lee Morgan - Taru (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e Lee Morgan's 1968 album Taru—which wouldn't be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.\u003c\/p\u003e\n\u003cp\u003eThe session also marked Morgan's first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins. The six-song set covered a range of stylistic ground including modal jazz (\"Avotcja One\"), hard-charging post-bop (\"Get Yourself Together\"), beautiful balladry (\"Haeschen\" and \"Taru, What's Wrong With You?\"), gospel-tinged numbers (\"Dee Lawd\"), and funky boogaloos (\"Durem\").\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis stereo Blue Note Tone Poet Series edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45425722032355,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/602448644282.jpg?v=1724137220"},{"product_id":"lightnin-hopkins-last-night-blues-bluesville-pressing","title":"Lightnin' Hopkins - Last Night Blues (Bluesville Pressing)","description":"\u003csection class=\"wps-container\" id=\"main-container\" role=\"main\"\u003e\n\u003cdiv class=\"wps-product-single\"\u003e\n\u003cdiv class=\"wps-product-single-content\"\u003e\n\u003cdiv id=\"product_description\"\u003e\n\u003cdiv class=\"swp-mb20 swp-product-description wps-component-products-description\" aria-label=\"Product Description\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” Pressed on 180-gram vinyl at QRP, this edition is released in partnership with Acoustic Sounds.  \"}' data-sheets-userformat='{\"2\":12993,\"3\":{\"1\":0},\"9\":0,\"10\":2,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eLast Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” Pressed on 180-gram vinyl at QRP, this edition is released in partnership with Acoustic Sounds. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"related-section\"\u003e\n\u003cdiv class=\"related_products\"\u003e\n\u003cdiv id=\"related_products\" class=\"related_products related\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cp\u003e\u003cb\u003eBluesville Series from Craft Recordings and Acoustic Sounds\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAll-analogue mastering\u003c\/p\u003e\n\u003cp\u003e180-gram vinyl pressed at Quality Record Pressings\u003c\/p\u003e\n\u003cp\u003eObi strip\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45529841828067,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/CR00746Lightnin_Hopkins-LastNightBluesPackShotwobi_600x_crop_center_2x_e912a091-cf52-457e-9dbb-dcc17c99b5c4.webp?v=1726722665"},{"product_id":"jackie-mclean-let-freedom-ring-blue-note-tone-poet-reissue","title":"Jackie McLean - Let Freedom Ring (Blue Note Tone Poet Reissue)","description":"\u003cp\u003e2024\u003c\/p\u003e\n\u003cp\u003eJackie McLean's 1962 album Let Freedom Ring reflected the change in the air of the early '60s: both the musical freedoms being explored by the emergent avant-garde movement and the social freedoms sought by the ascendent civil rights movement. This four-song set featuring the alto saxophonist with Walter Davis, Jr. on piano, Herbie Lewis on bass, and Billy Higgins on drums melds the bluesy language of hard bop with the bristling energy of The New Thing. McLean's emotive horn wails, shrieks, and soothes as the quartet moves through three striking McLean originals: \"Melody for Melonae\" (dedicated to his daughter), \"Rene\" (dedicated to his son), and \"Omega\" (dedicated to his mother). A plaintive rendition of the Bud Powell ballad \"I'll Keep Loving You\" rounds out the date.\u003c\/p\u003e\n\u003cp\u003eThe Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the \"Tone Poet,\" on board to curate and supervise a series of reissues from the Blue Note family of labels.\u003c\/p\u003e\n\u003cp\u003eExtreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology, Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\u003c\/p\u003e\n\u003cp\u003eThis stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology, Inc. (RTI), and packaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003cp\u003e\"The success of Let Freedom Ring paved the way for a bumper crop of other modernist innovators to join the Blue Note roster and, artistically, it still stands with One Step Beyond as McLean's greatest work.\"\u003c\/p\u003e","brand":"Urbanrecords","offers":[{"title":"Default Title","offer_id":45548093964515,"sku":"","price":79.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/files\/602448644343.jpg?v=1727254117"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2333\/3945\/collections\/L-57179-1494098837-3060.jpg?v=1746522842","url":"https:\/\/urbanrecords.com.au\/collections\/audiophile-recordings.oembed?page=8","provider":"Urbanrecords","version":"1.0","type":"link"}